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  Performance|Kunst    Projekte

 

EAT ME COSMOS

von Melanie Maar und Christian Schröder

 

September 23 + 24

20.00

Reaktor Wien

Tickets Reaktor

23rd or 24th

 

 

Swallowing space and time, this durational performance swings dangerously close to its surround in simultaneously evoking theatrical perception and uneventful meditative drama. In it, object, sound, light and motion churn in and spit out a single performer’s sustained effort to maintain the center of everything all at once at Reaktor’s grand hall. Melanie Maar and Christian Schröder create a field of attention for performer and audience alike, conjuring a continuum between hard-earned individual agency and a pleasurable surrender to collectively being eaten alive.

 

 

credits:

creative direction, performance : Melanie Maar, Christian Schröder

light design : Samuel Schaab

costume : Hanna Hollmann

stage manager : Kim Böhm

 

The project’s first audience encounter will be an OUTDOOR ESSENCE for two performers, Katharina Senk and Melanie Maar, on

 

September 14 + 15

18.00

at Prater Arenawiese, Vienna

maps pin drop

 



future updates on insta: school_of_dying and melaniemaar

 

 

Eat me Cosmos in cooperation with Reaktor, is produced by Schule des Sterbens and kindly supported by the City of Vienna – Department of Cultural Affairs and Bears in the Park.

 

 

 

‘Melanie Maar and Christian Schröder have been working together for over a decade. Though one of these artists generally works with sound and the other with bodily movement, neither subscribes to categorization, staying in one’s lane, or conventional roles and boundaries in the realms of music, performance and art.’  full MICA interview

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

                                image collage by Christian Schröder and Melanie Maar

 

 

 

 

LINE DEATH DANCE


von Melanie Maar

Line Death Dance is a ceremonial improvisation for change. It has become a long term project in cooperation with organizations in Vienna and New York City since 2018.

Originally a performance residency conceived for ritualizing The Chocolate Factory Theater’s transition from their old building into their new one. Then things changed. A performance series, a book, a newsletter and now a film emerged from it.  

 

'More than ever I look to performance to hold us, to challenge us       and to entertain us with the mundane and the magical nowness specific to each context and perceiver. In ourselves and in each other, this togetherness can carry death as the very essence of the sensual a'live'ness. In many ways performance can serve as a practice of embracing dying in offering it’s unique psycho sensual reality now here then gone.

More about Line Death Dance previous phases:

http://www.melaniemaar.com/project-single/line-death-dance/

Article in ArtZone New Zealand about Line Death Dance:

https://www.artzone.co.nz/post/dance-cycles

LINE DEATH DANCE the Newsletter archive

Co-created with Laurel Atwell. Newsletter project content is the

work of each collaborating artist.

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MM by Laura Bartczak- Spaces and Tones(1

LINE DEATH DANCE the book

 

Author : Melanie Maar

Photographs : Laura Bartczak

Editor : Laurel Atwell

published and designed by ENTKUNSTUNG

www.entkunstung.com

The book is a sensual object. Images, pages, cover, text, texture.

Rather than a document it is created to be its own art object

inspired by live performance events.


The book was released in cooperation with ENTKUNSTUNG as

part of an online event in March 2021.

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EXIT SKIN | a short Film

https://vimeo.com/manage/videos/559538747/b62a884210

 

scenography and performance : Melanie Maar
filming, editin and sound: Brian Rogers

lighting: Madeline Best

other performers : Edith Greutmann and Nancy the snake

Exit Skin is a short film about the end of time. Apocalypse or Utopia set in a raw factory building and the city nature surround. Matriarchal icons, machinery and sensual texture come into symbiotic collision. Like a collage of abandoned essentials, randomly assembled guiding the eye through an alternate narrative of being.

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